Skip to Main Content
Fixers in Italy
Start typing to search...
Post-production services in Italy
Post-Production

Post-Production & Editing Services

Transform raw footage into finished, broadcast-ready content. The post-production team at our company provides both technical precision and creative leadership for film and television content and digital media distribution.

Editing

Professional editing from rough cut to final assembly.

Visual

Color grading, VFX, motion graphics, and finishing.

Delivery

Broadcast, streaming, and cinema-ready masters.

Finishing with Excellence

Comprehensive Post-Production Services

From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.

🎬

Editorial Excellence

The editors at Avid and Premiere used their work with international distribution companies to transform Canal+ and Italy Télévisions video content into short narrative pieces.

🎨

Visual Finishing

The Rome facilities use DaVinci colorists and Nuke compositors who work with HDR and ACES and broadcast-compliant delivery systems.

🔊

Audio Perfection

The facility operates Dolby-certified mixing stages and Foley rooms and ADR booths which produce audio content for cinema and streaming and broadcast platforms.

Service Catalog

Our Post-Production Services

Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.

Why Fixers in Italy

Why Choose Us for Post-Production

Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.

Industry Standards

Broadcast-compliant workflows meeting Netflix, BBC, and major platform specifications.

Fast Turnaround

Expedited delivery options with 24/7 support for tight deadlines and urgent projects.

🎯

Creative Partnership

Collaborative approach working closely with directors and producers to realize your vision.

💼

End-to-End Service

Complete post-production pipeline from ingest to final delivery under one roof.

FAQs

Post-Production FAQs

Answers about timelines, deliverables, and how we handle your post-production needs.

What's included in post-production services?

The entire process begins with dailies which continue until the final delivery stage. The editing process takes place offline through Avid or Premiere before moving to online conform for VFX integration and DaVinci color sessions and Pro Tools sound editorial with Foley and ADR when required and ending with a final mix on a stage that has been calibrated. We handle all the technical handoffs so you're not managing separate vendors. Deliverables come QC'd to spec—whether that's a Netflix IMF, a Italy Télévisions broadcast master, or encrypted DCPs for theatrical.

How long does post-production typically take?

The offline lock period for commercials runs from 2-3 weeks until the project finishes its final stage. The production timeline for documentaries spans eight to twelve weeks because it depends on the amount of work required to clear archives and conduct interview transcription. The development process requires 16–24 weeks for projects that include substantial visual effects work but the duration becomes shorter for other types of projects.'s dialogue-driven. We've done emergency turnarounds when festival deadlines loom, but those cost more and burn people out. Better to build realistic schedules from the start.

Do you handle international deliverables?

Daily. The various streaming platforms require their own technical specifications because Netflix requires IMF packages with particular audio channel arrangements but Amazon follows its own quality evaluation process and Apple TV+ needs Dolby Vision support. We stay current on all of them. For broadcast, we deliver to EBU R128 loudness standards that Italian and European channels require. The testing process for Cinema DCPs takes place on theater servers which we use before starting the delivery process.

Can you match existing looks or brand guidelines?

The colorists at our studio use LUTs and CDLs and reference stills for their work which includes both season matching and brand consistency maintenance and director reference look duplication. The suite offers monitors which have been calibrated to create proper viewing conditions for delivering an authentic theater experience of your approved content. The team creates show LUTs for series work which remain consistent between different episodes and seasons.

What formats can you work with?

Everything current: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, ProRes in all flavors. We've also dealt with legacy formats when archive material enters the cut—digibeta, HDCAM SR, even film scans. The Rome facilities we work with maintain both modern infrastructure and the older decks for when you need them.

Ready to Finish Your Project?

Tell us about your project and we'll deliver broadcast-ready masters on time and on budget.