SCENE 01 / POST-PRODUCTION
Post-Production & Editing Services
We turn raw footage into finished, broadcast-ready content. Our post-production team brings both technical precision and creative leadership to film, television, and digital media.
Finishing with Excellence
Comprehensive Post-Production Services
From editorial assembly to final delivery, our team brings your vision to life with world-class finishing for film, TV, commercials, and digital content.
Editorial Excellence
Our Avid and Premiere editors work with global distributors, shaping Canal+ and Italy Télévisions video content into tight narrative pieces.
Visual Finishing
Our Rome facilities pair DaVinci colorists with Nuke compositors, all fluent in HDR, ACES, and broadcast-compliant delivery.
Audio Perfection
Our facility runs Dolby-certified mixing stages, Foley rooms, and ADR booths that craft audio for cinema, streaming, and broadcast.
Service Catalog
Our Post-Production Services
Complete post-production pipeline—editing, color, VFX, audio, and delivery to any specification.
Editing & Assembly
Linked ServicesVideo Editing
Our editing team are Premiere Pro and Avid pros who carry commercial, documentary, and feature film projects from first assembly to final picture lock.
Rough Cut to Final Cut
Our editorial process folds in director notes and revision rounds, then locks the timeline so it is ready to finish.
Narrative & Documentary
We shape interview recordings, B-roll footage, and scripted content into story, using proven storytelling techniques.
Multi-Cam Sync
We sync the camera angles from concerts, panels, and live events, then cut them into a single unified edit.
Interview & Dialogue
Trimming pauses, smoothing jump cuts, and pulling selects from extensive interview recordings.
Color & Visual Finishing
Linked ServicesColor Correction
We match your shots and hold exposure and white point steady, even when footage comes from different lighting setups and camera systems.
Color Grading
Our colorists work in DaVinci Resolve and Baselight to build cinematic color, from film-like looks to bright commercial palettes.
Online Conform & QC
Final VFX integration with automated QC checks for broadcast-compliant delivery.
Look Development
We build pre-production LUTs and style references so on-set monitors show your final look correctly.
Motion & VFX
Linked ServicesMotion Graphics
Our After Effects and Cinema 4D artists build lower thirds, animated sequences, and infographics for television and online.
VFX Compositing
Our Nuke and Fusion compositors blend green screen plates with set extensions and invisible effects for seamless live-action work.
CGI & 3D Animation
Our Maya and Houdini artists create photorealistic environments, character animation, and product visualization for commercials and film.
Title Design
Main titles, end crawls, and integrated credit sequences matching your project's tone and brand guidelines.
Matte Painting
Our artists pair Photoshop with 3D software to build environments, swap sky backgrounds, and extend sets from live-action scenes.
Rotoscoping
We hand-trace mattes frame by frame to lift actors and stray elements out for complex composites.
Audio Post
Linked ServicesSound Design
Creating sonic atmospheres, impacts, and textures that support your story's emotional beats and pacing.
Foley Recording
Our Rome Foley stage records every on-screen sound — footsteps, cloth, and prop noises — cued tight to the action.
Dialogue & ADR
Production audio cleanup, dialogue replacement, and Italian/English lip-sync recording.
Music & Scoring
Original compositions from Italian composers, plus library music supervision and sync licensing.
Mixing & Mastering
Pro Tools mixing on Dolby-certified stages with broadcast-compliant loudness metering.
Immersive Audio
We deliver Dolby Atmos mixes alongside 5.1 and 7.1 formats for theatrical, streaming, and broadcast, with precise object and bed placement.
Audio Restoration
iZotope and Cedar processing to remove hum, wind, traffic, and production noise from location recordings.
Delivery & Output
Linked ServicesDCP Creation
We build digital cinema packages with encryption, KDMs, and ingestion testing for both Italian and international theaters.
Broadcast Delivery
Masters meeting Italy Télévisions, Canal+, and EBU R128 specifications with full QC reports.
Streaming Platforms
Netflix, Amazon, Disney+, and Apple TV+ deliverables meeting each platform's unique technical requirements.
Archival & Preservation
LTO tape archives, checksummed backups, and preservation masters for long-term asset protection.
Format Conversion
We transcode between ProRes, DNxHD, H.264/265, and legacy formats, and handle frame rate and resolution changes.
Why Fixers in Italy
Why Choose Us for Post-Production
Industry-standard workflows, creative expertise, and seamless delivery for projects of any scale.
01.
Industry Standards
Broadcast-compliant workflows meeting Netflix, BBC, and major platform specifications.
02.
Fast Turnaround
Expedited delivery options with 24/7 support for tight deadlines and urgent projects.
03.
Creative Partnership
Collaborative approach working closely with directors and producers to realize your vision.
04.
End-to-End Service
Complete post-production pipeline from ingest to final delivery under one roof.
On Location
Italian Footage, Finished to Brief
Post-production for Italy-shot material brings its own demands: rich, saturated Mediterranean colour palettes, multilingual dialogue tracks, and location audio caught in some of Europe's trickiest acoustic spaces — from stone-walled churches in Florence and the open-air markets of Bologna to the ancient piazzas of Palermo and Lecce. Our post team turns raw footage into polished, broadcast-ready content with the precision and creative confidence each project needs. We work to tight global delivery schedules and site-specific tech specs across film, television, and digital formats.
Roman editors and colourists on calibrated, reference-grade displays — every spec from broadcast master to theatrical DCP.
Our editing service takes footage from the first sync through Rough Cut to Final Cut, with editors versed in Narrative and Documentary styles as well as Multi-cam sync workflows. Our colorists handle color correction and grading, and they know how Italian light shifts across seasons and how to honour that quality in the grade. We edit interviews and dialogue with care for pacing and authenticity, so Italian-language and multilingual shoots speak clearly to each target audience on every platform.
FAQs
Post-Production FAQs
Answers about timelines, deliverables, and how we handle your post-production needs.
What's included in post-production services?
The process runs from dailies all the way to final delivery. We cut offline in Avid or Premiere, then move to online conform for VFX integration. DaVinci color sessions follow, along with Pro Tools sound editorial, plus Foley and ADR when the project needs them. The job ends with a final mix on a calibrated stage. Our team handles every tech handoff, so you never manage separate vendors. Deliverables come QC'd to spec — whether that is a Netflix IMF, an Italy Télévisions broadcast master, or encrypted DCPs for theatrical.
How long does post-production typically take?
Commercials run 2-3 weeks from offline lock through final delivery. Documentaries take eight to twelve weeks, since the timeline depends on how much archive clearance and interview transcription the cut needs. Projects with heavy visual effects need 16–24 weeks, while dialogue-driven work moves faster. We have done emergency turnarounds when festival deadlines loom, but those cost more and burn people out. It is better to build realistic schedules from the start.
Do you handle international deliverables?
Yes, every day. Each streaming platform has its own tech specs: Netflix wants IMF packages with set audio channel layouts, Amazon runs its own quality review, and Apple TV+ needs Dolby Vision support. We stay current on all of them. For broadcast, we deliver to the EBU R128 loudness standards that Italian and European channels require. We also test Cinema DCPs on theater servers before we ship them.
Can you match existing looks or brand guidelines?
Our colorists work from LUTs, CDLs, and reference stills to match seasons, hold brand consistency, and recreate a director's reference look. Our suites run calibrated monitors, so you view your OK'd content in true theater conditions. For series work, we build show LUTs that stay steady across episodes and seasons.
What formats can you work with?
We take all the current ones: ARRIRAW, RED R3D, Sony Venice X-OCN, Blackmagic RAW, and ProRes in every flavor. We also handle legacy formats when archive material enters the cut — digibeta, HDCAM SR, even film scans. The Rome facilities we work with keep both modern gear and the older decks, ready for when you need them.
On Set
Ready to Finish Your Project?
Tell us about your project, and we will deliver broadcast-ready masters on time and on budget.