Title Design & Credits

Here is how this works in practice. Italian title design carries a heritage that runs from Cinecittà's historic art departments and the legendary title work of mid-century Italian cinema through to the today's motion-design studios in Rome and Milan that handle title sequences for Italian theatrical features and Rai Cinema, Sky Italia, Netflix Italy and Amazon Prime Video Italy originals.

Here is the short of it. Our coordination connects productions with title designers and motion studios scoped to the brief — boutique typographers and motion designers in Milan's Brera and Tortona districts for fashion-led title work, established Rome studios near Cinecittà for theatrical main-on-end credits, and dedicated title houses with reels on the high-profile streaming series and Italian features such as Suburra, Gomorra, Diavoli, Romulus, The Hand of God, Pinocchio (Garrone), ZeroZeroZero and M. Il figlio del secolo that demand distinctive opening sequences.

Here is the breakdown. Designers work fluently in Italian and Latin typography, handle the diacritics, accented capitals and proper-name conventions specific to Italian credit cards, and bring the typographic sensibility shaped by Olivetti, Bodoni, the Milanese edit custom and the Italian poster-art lineage that informs today's motion design here. Briefings run in Italian and English so coordination with overseas producers and Italian creative directors stays clean.

Here is what that looks like on the ground. Title work begins with concept development and style frames, moves through storyboards and motion tests, and finishes with delivery in multiple formats including DCP-ready elements for theatrical screening, broadcast-spec ProRes masters for Rai, Mediaset, Sky Italia and La7, IMF packages for streaming masters on Netflix Italy and Amazon Prime Video Italy, and adapted versions for social cuts, festival reels and trailer beats.

Here is how the picture comes together. We handle Italian credit obligations under the CCNL Cinema Audiovisivo, the union credit specs for ANICA, AGICI and the Italian actors' and directors' guilds, ENPALS reporting where applicable, and SIAE music-rights credits where licensed music sits inside the title sequence — alongside the global WGA, DGA, SAG-AFTRA and IATSE needs when co-shoots need them. Title systems are designed as flexible templates so they adapt across episodes for series work, fit guest-cast types, and can be delivered in localised versions for global markets in multiple scripts.

Here is what we have to work with. Turnaround spans a week for lower-thirds packages through to several months for elaborate main title sequences, with milestones aligned against the production schedule and David di Donatello, Nastri d'Argento and Venice Film Festival submission windows where relevant.