Volumetric Capture

Volumetric capture in Italy sits mainly in Milan and Rome. A handful of stages there run 4DViews and similar multi-camera arrays, mostly 60 to 100 synced sensors. They give full-360 capture of actors, dancers and musicians. Italian commercial work leans heavily toward heritage volumetric. The Vatican Museums, the Uffizi, the Galleria Borghese and the Pompeii ruins have all seen volumetric campaigns built around conservation. Fashion houses in the Milan Quadrilatero d'Oro use the technology for catalogue and runway-based holographic content. Music and dance from La Scala, the Teatro dell'Opera and Aterballetto feed the choreography side of demand. Italian XR studios then pair the captured assets with virtual-production volumes for hybrid downstream use.

Our coordinators handle stage booking, calibration and the multi-day capture session itself. That covers wardrobe pre-checks for shiny or strongly patterned materials. It also covers lighting that flatters reconstruction across all 360 degrees, plus quality tracking on the day through real-time preview viewers. Processing then follows with 3D reconstruction, mesh sequence work, texture tuning, and conversion to point-cloud or compressed volumetric video. We match each format to your target platform. That might be Meta Quest, Apple Vision Pro, Unity, Unreal Engine 5, or holographic displays from Looking Glass and Light Field Lab.

We arrange Soprintendenza permits for any heritage interior shoot in advance, and ENPALS and INAIL postings cover the crew. The Italian Cinema Plan tax credit at forty per cent applies to qualifying capture-day spend. To claim it, the shoot must be set up through an Italian executive producer.