Audio Post-Production

Post-prod audio for Italy-shot content brings its own needs. Recordings from cathedrals in Florence, busy markets in Palermo, hillside vineyards in Tuscany, and the open coast along the Cinque Terre all need careful, skilled editing. Each one must serve the finished cut. Our team works where tech precision meets creative craft. We build rich soundscapes that honour the sound of Italian locations and meet global broadcast, streaming, and theatrical standards.

Sound Design builds the aural world of your production from the ground up. We use recorded and digital sounds to create rich settings that match the picture. Dialogue Editing and ADR keeps each performance clear and true in feeling. ADR sessions are ready for Italian and global cast across languages. Foley Recording captures the physical, tactile sounds that bring scenes to life. Music Composition and Scoring gives original music shaped to your project's tone. Audio Mixing and Mastering — including 5.1 Surround Mixing — then delivers the final programme at the tech standard your sites or distributor needs.

We book sessions across our post-production network in Rome, Milan, and Turin. Each room is tuned for clean dialogue work, foley, and surround mixing. Our ADR stages handle Italian dialogue and global cast across many languages. We also run Pro Tools sessions remotely for directors who cannot travel. So your team reviews mixes from any city while our engineers work at the desk. The brief stays the same wherever the room sits.

We master to the exact loudness and format specs each platform demands. Our team measures dialogue and full-mix levels in LUFS for broadcast and streaming delivery. We build stereo, 5.1, and Dolby Atmos versions from one clean session. Each deliverable matches the target codec, sample rate, and channel layout. So your audio loads and plays back correctly on every screen. We log each version against its spec sheet before handoff.

Italian broadcasters and global streamers set strict audio rules for every title. We prepare full mixes plus separate music and effects tracks for dubbing teams. M&E stems let distributors version your show into new languages with ease. We deliver Dolby Atmos for premium tiers and standard stereo for catch-up players. Our engineers know how RAI, Sky Italia, and Mediaset frame their delivery needs. So your audio clears technical review on the first pass.

We treat your production audio as sensitive material from the first session. Source files move through encrypted transfer and stay on access-controlled storage. Each project keeps its own locked folder, with versioned backups held off-site. Only named engineers on your job can reach the session files. We log every transfer and every render for a clear audit trail. So your unreleased mixes stay private through the whole post-production chain.