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Milan Via Montenapoleone - filming location in Italy

SCENE 01 / WIRE CAM SYSTEMS

Wire Cam Systems

Cable-suspended cameras for dynamic overhead coverage.

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Wire cam systems hang cameras on motorized cable rigs. This gives you sweeping overhead shots, dramatic reveals, and smooth tracking moves across large spaces. The rigs follow stable, repeatable paths that reach distances and heights well beyond any crane or dolly.

We source wire cam systems and skilled rigging crews to suit your venue and shot needs. Our team handles the install, safety sign-off, and run-throughs so the rig delivers reliable, smooth camera movement on every shoot.

Capabilities

Wire Cam Services

Spidercam and cable camera solutions for any venue.

01

Wire Systems

  • Spidercam rigs
  • Single-line systems
  • Multi-point cable
  • 3D movement
  • High-speed capable

Dynamic Flight

02

Camera Heads

  • Stabilized gimbals
  • Remote operation
  • Pan/tilt/roll
  • Focus control
  • Live monitoring

Full Control

03

Applications

  • Stadium coverage
  • Concert filming
  • Sports broadcast
  • Film production
  • Large events

Any Venue

04

Support

  • Technical crews
  • Rigging teams
  • Safety officers
  • Installation
  • Operations

Expert Teams

Fly Through Any Space

Capabilities

3D
Movement
High
Speed
Stabilized
Footage
Any
Venue

Our Process

1

Venue Survey

We assess the space, the rigging points, and what the cable install will need.

2

System Design

We design the wire cam setup around the coverage you need.

3

Installation

Our crews rig the cable system to certified safety standards.

4

Operation

Our operators run the rig live, with real-time camera control.

On Location

Spidercam rigs for San Siro, Stadio Olimpico and Italian arenas

Wire cam systems in Italy run through Cinecam Italy and Action Group. These two operators hold permanent and tour-ready Spidercam-class rigs that serve Serie A multi-cam coverage, RAI and Sky Italia live broadcast, and the major concert venues. Fixed and semi-permanent rigs cover San Siro in Milan, the Stadio Olimpico in Rome, the Allianz Stadium in Turin, and the Maradona in Naples for football. They also keep a steady presence inside the Mediolanum Forum and the PalaLottomatica arenas for music tours and ATP indoor tennis.

Single-line and three-dimensional multi-point cable systems carry broadcast and cinema cameras on stabilised gimbal heads. Remote pan, tilt, focus, and zoom feed straight into the live programme switcher. Spidercam-class rigs hold speeds above thirty kilometres per hour while footage stays stable, which suits Coppa Italia final coverage and the staging of arena tours.

Each fitting starts with a venue survey. The survey maps anchor points, span geometry, audience-zone needs, and the FIGC or UEFA broadcast specs that apply to the fixture. Certified riggers then build the system with backup cables, auto tension tracking, and fail-safe braking. INAIL safety inspections and the local Vigili del Fuoco fire-marshal sign-off come before each live show, and a full rehearsal runs ahead of broadcast. Outdoor festival jobs—Battiti Live in Bari, Heineken Jammin', the Verona Arena summer programme, and the Sanremo Festival open-air segments—stretch the operating envelope, with weather tracking built in so wind limits hold throughout. Italian Cinema Plan tax-credit records log wire-cam day rates within qualifying spend, and CCNL Cinema Audiovisivo crew terms apply across the production.

FAQ

Frequently Asked Questions

What is a wire cam/Spidercam?

Wire cams such as Spidercam are cameras hung on cables strung between many points. By adjusting the cable lengths from each anchor, the camera moves freely in 3D space—side to side, up and down, and everywhere between.

What venues suit wire cam systems?

Wire cams work in any venue with sound anchor points—stadiums, arenas, concert halls, large studios, and outdoor events. They are especially valuable where a crane or drone is not practical or not allowed.

How fast can wire cams move?

Modern wire cam systems reach striking speeds—Spidercam rigs can travel at over 30 km/h while keeping footage stable. That makes them ideal for tracking fast action in sports and lively event coverage.

What about safety?

Safety comes first. Wire cam systems use backup cables, automatic tension tracking, and fail-safe brakes. Our crews are certified riggers who follow strict safety rules for overhead systems.

Can wire cams work outdoors?

Yes, with the right weather planning. Wire cams suit outdoor events, festivals, and even open-air film shoots. Wind limits apply, so we track conditions throughout the shoot.

What camera packages are available?

Wire cams can carry many camera packages, from broadcast cameras to cinema cameras, set by the system's capacity. All ride on stabilized gimbals with remote control of pan, tilt, zoom, and focus.

Productions in Italy that need this often pair it with Cable Cam Systems, Aerial Drone Services, and Helicopter Filming for full coverage. Most projects also draw on Portable Power Solutions and Camera & Cinematography.

On Set

Need Wire Cam Coverage?

Tell us about your venue and we'll design the perfect cable camera solution.