SCENE 01 / GAFFER LIGHTING TEAM
Gaffer & Lighting Services Italy
Professional gaffers and lighting crews with expertise in LED, HMI, and tungsten systems. From intimate interviews to large-scale nighttime shoots across Italy.
The gaffer and lighting team turn the Director of Photography's vision into working lighting setups on set. In Italy, gaffers work at the legendary Cinecittà Studios in Rome and at production hubs in Milan and Naples. They design and run lighting plans that build mood, depth, and a steady look for both Italian and global shoots.
We build skilled gaffer and lighting teams matched to your scale, style, and tech needs. Gear comes through rental houses like Panalight Italy and Cinelight Rome. Our team handles crew availability, gear sourcing, and department logistics, so your lighting crew arrives fully prepared.
Capabilities
Lighting Department Solutions
From intimate interview setups to large-scale feature productions, we provide experienced gaffers and complete electric crews tailored to your project's needs.
01
Feature & TV
- Cinematic lighting design
- Large-scale set lighting
- Night exterior setups
- Practical integration
- Period and stylized looks
Narrative Excellence
02
Commercial
- Product lighting
- Tabletop photography
- Beauty and fashion
- Food cinematography
- High-key brand looks
Brand Impact
03
Live Events
- Concert and performance
- Corporate presentations
- Award ceremonies
- Fashion shows
- Live broadcast lighting
Event Production
04
Corporate
- Interview setups
- Office and facility
- Training videos
- Webinar production
- Executive portraits
Professional Content
On Location
Italian gaffers and electric crews built around Cinecittà discipline
Italian lighting departments are built around the capo elettricista, the gaffer, and run with the discipline that Cinecittà's century-old shooting custom asks of each set day. Our gaffers come up through the historic Teatro 5 and the wider Cinecittà sound stages. Their credits span Sorrentino and Bigazzi AIC features, Garrone period pieces, and current work like Io Capitano, Bellocchio drama, Rai Fiction and Sky Italia series, plus the Milan commercial scene running out of Mediaset Cologno Monzese and Lumiq Studios in Turin.
The department usually pairs the gaffer with a best boy electric, adds a rigging gaffer on larger setups, and brings in a tiered team of elettricisti. They handle set lighting, power packs, the dimmer board, and on-set tweaks through the shooting day.
Gear comes through Roman houses including Panalight Roma, Cinegrip, Stop-Service, and Cinelight. The main lighting runs on ARRI SkyPanel S60/S30 and M-Series HMI, with Aputure Nova P600c, 1200d, and 600x COB for fast-deploy work. We add Mole-Richardson tungsten units where the period look calls for it, Kino-Flo Diva-Lite and Celeb LED for soft sources, and Astera Titan and Helios tubes for practicals and pixel-mapped looks.
We match crew by format and creative goal rather than a generic day rate. Auteur features in the AIC lineage call for gaffers who can build a SkyPanel and HMI plan for the long takes Italian DPs favour. Milano fashion and product campaigns out of the Brera, Tortona, and Lambrate districts want fast-turnaround gaffers who deliver beauty, tabletop, food, and edit looks against tight agency timelines and brand-deck colour palettes.
Crews speak both Italian and English where global DPs lead inbound shoots. Pre-production brings detailed lighting plots and power assessments built against Italian 230V/50Hz mains, with silent power packs rentals from our rental partners. We run tech scouts across Cinecittà, Lumiq Studios in Turin, Mediaset Cologno Monzese, Rai studios, and exterior locations from the Amalfi Coast and Capri through Sicilia and the Tuscan hills to the Dolomites and the Alpine foothills.
INAIL-aligned safety records come as standard for each shoot day. Crews work under CCNL Cinema Audiovisivo terms, with ENPALS inputs and INAIL coverage built into the contract. The same teams are routinely cleared for shoots claiming the MiC 40% Italian Cinema Plan tax credit, whether at Cinecittà, on Roman heritage-site exteriors with Soprintendenza permits, or across regional Film Commission areas.
FAQ
Our Lighting Network
What does a gaffer do on set?
The gaffer heads the electrical and lighting department and carries out the DP's lighting vision. They design the lighting setups, run the electric crew, rig the gear, and keep power safe across the production.
What crew positions are in a lighting department?
A full lighting department has a Gaffer as department head, a Best Boy Electric who assists the gaffer and runs crew and gear, and Electricians or Sparks who set up and run the lights. Larger shoots also add Rigging Gaffers and Generator Operators.
Do your lighting crews bring their own equipment?
Crew and gear are mostly booked apart. We can set up gear packages from Italian rental houses to match your crew booking. Some gaffers carry their own kit for smaller shoots.
How many electricians do I need for my production?
Crew size depends on scale. Small shoots may need just a gaffer, while medium shoots usually need a gaffer plus a best boy and 1-2 electricians. Larger shoots need full departments with rigging crews.
Can your lighting crews work with international DPs?
Yes. Our gaffers are skilled at working with global cinematographers and know the terms, techniques, and workflow they expect. Many speak both Italian and English.
Do you provide generators and power distribution?
We arrange power packs hire and distribution gear through our rental partners. Power packs operators can be added to crew packages for shoots that need a major power setup.
Related Services
Productions in Italy that need this often pair it with LED Lighting Systems, Portable Power Solutions, and Grip Services for full coverage. Most projects also draw on Gimbal Filming and Virtual Production.
On Set
Need a Lighting Team?
Tell us about your production and we'll recommend the right gaffer and crew for your lighting needs.