Storyboard Artist Services

Italy's storyboard artists come up through one of the world's deepest visual-arts pipelines. It starts in the academies of Rome, Florence, and Bologna. It runs through the fumetti comic tradition built by Sergio Bonelli Editore, Hugo Pratt's Corto Maltese, Sergio Toppi, Andrea Pazienza, and the Tex, Dylan Dog, and Diabolik series. And it carries the operatic visual grammar passed down from Sergio Leone, Mario Bava, Dario Argento, and the Goblin-scored giallo tradition.

That lineage shapes pre-visualisation for film and television in a distinctly Italian way. You see strong perspective, theatrical staging, classic compositional balance, and a sure sense of light and shadow that traces back through Caravaggio and the Renaissance masters.

Our network reaches the freelance and studio storyboard artists who work day to day on Cinecittà features, RAI Fiction and Sky Italia serials, Cattleya and Wildside prestige drama, and the global shoots routed through Italy's MiC 40% tax credit. Recent work spans Ridley Scott's House of Gucci and Gladiator II, Sorrentino's recent features, and the ongoing Romulus, Diavoli, Suburra, and Gomorra pipelines. We match artists against verified credits in the format and genre of your production.

Our artists command a broad tool set. They work in Storyboard Pro, Procreate, Photoshop, and more and more inside Unreal Engine for pre-viz tied to Cinecittà's grown LED volume, which is Europe's largest. That virtual-production setup is shared with EDI Effetti Digitali Italiani. Action and VFX sequences go to artists who know camera movement, lens choice, plate needs, and the compositing pipeline at EDI, Frame by Frame, and Square Post Production.

Bilingual Italian-English boards keep global showrunners and creative directors aligned with Italian ADs, line producers, and DPs during prep. Fast revision cycles match the quick pace of the Italian episodic-drama model. Engagements scale from a single storyboard artist on a tight pre-viz brief up to complete pre-production departments with animatic editors and concept illustrators. Our producers know CCNL Cinema Audiovisivo forms, ENPALS inputs, and the Italian Film Commission planning that shoots need under the 40% global tax credit.

Most boards are sent in remotely. So an artist can serve your shoot from anywhere in Italy, with no travel days on the budget. Panels and animatics move through shared review tools. The director marks notes there, and the artist sends back the next pass. The CET time zone gives live overlap with European prep rooms. It also makes for easy morning sessions with US East Coast teams. When a scout or a location lock shifts the plan, we bring on the right artist fast.