Pitch Deck & Treatment Design

Pitch decks for the Italian market are read by very specific gatekeepers, and our team builds them with those readers in mind. The MiC tax credit, now up to 40% under the Italian Cinema Plan, has its own application logic and eligibility tests. Rai Cinema, Sky Italia, Mediaset and the Lux Vide and Indigo Film slates each set distinct commissioning priorities. Regional funds at Roma Lazio Film Commission, Apulia Film Commission, Toscana Film Commission and Trentino Film Fund add cash rebates that reshape the whole funding stack.

We design decks that frame the creative vision in the visual language of Italian cinema — neorealism, Fellini, Sergio Leone, today's Sorrentino. The commercial case sits beside it in numbers that a finance officer at MiC, ANICA or a co-production partner can check.

Work starts with a strategy session that locks the logline, comparables, audience and finance plan. A structured content phase then builds out the treatment, character beats, director's vision, budget summary and rebates recovery model. Visual design happens in Adobe Creative Suite, Figma and Keynote. The infographics map the MiC tax credit waterfall, co-production splits under Italian bilateral treaties, and projected returns across theatrical, SVOD and TV networks windows. Decks ship in seventy-two hours for standard briefs, and inside forty-eight for emergency investor meetings. Coaching support adds mock pitches, Q&A drills against likely RAI or Sky Italia objections, and follow-up materials for the second meeting. On Italian projects, funding success rewards care, and it rewards care delivered fast.

We design pitch decks from inside the Italian market, not from a distance. Our team sits in Rome and Milan, so we know how each reader thinks. We frame your project for the Tax Credit Cinema e Audiovisivo and for regional film commission funds. We build the deck around the brand and the slate the buyer cares about. The pitch lands because it speaks the reader's own language, both creative and financial.

We prepare decks in two languages for one project. Our writers draft the treatment and finance case in English for global partners. Then our team renders the same deck in Italian for the MiC and for local co-producers. The story, the numbers, and the design stay in step across both versions. So you walk into a Rome meeting and a London meeting with one coherent pitch, not two rushed drafts.

We turn decks around fast when a funding window opens. A film commission deadline or a sudden investor meeting can move in days. Our team builds a full deck in seventy-two hours and a tight rush deck even sooner. We hold the design quality steady under that pressure. So you never miss a Tax Credit Cinema e Audiovisivo round or a co-production call because your deck was not ready in time.