Pitch Deck & Treatment Design

Here is how this works in practice. Pitch decks for the Italian market are read by very specific gatekeepers. Our team builds them with those readers in mind. The MiC tax credit, currently up to 40% under the Italian Cinema Plan, has its own application logic and eligibility tests; Rai Cinema, Sky Italia, Mediaset and the Lux Vide and Indigo Film slates each have distinct commissioning priorities; regional funds at Roma Lazio Film Commission, Apulia Film Commission, Toscana Film Commission and Trentino Film Fund add cash rebates that materially change the financing stack.

Here is the short of it. We design decks that frame the creative vision in the visual language of Italian cinema — neorealism, Fellini, Sergio Leone, today's Sorrentino — while marshalling the commercial case in numbers a finance officer at MiC, ANICA or a co-production partner can verify.

Here is the breakdown. Production begins with a strategy session that locks logline, comparables, audience and finance plan, followed by a structured content phase that builds out treatment, character beats, director's vision, budget summary and rebates recovery model. Visual design happens in Adobe Creative Suite, Figma and Keynote, with infographics that visualise the MiC tax credit waterfall, co-production splits under Italian bilateral treaties, and projected returns across theatrical, SVOD and TV networks windows. Decks ship in seventy-two hours for standard briefs and inside forty-eight for emergency investor meetings, with coaching support that includes mock pitches, Q&A drills against likely RAI or Sky Italia objections, and follow-up materials for the inevitable second meeting. Funding success on Italian projects rewards care and rewards care fast.